The ornate types we've been using for the current run of books has an interesting history of revival and subsequent disappearance. The very tools and machines made to cast the type has been sold, used, and lost in the last 20 years.
The ATF Foundry was the preeminent producer of type in the United States for about 100 years. As their work declined in the 1990's, one of the employees began buying up the Barth casting machines, as well as the molds, mats, and matrices from which specific typefaces were poured and cast from. The Barth casters were important in that they were the best of the casting machines and could make harder, sharper type than any of the other machines currently used by anyone then or today; the mats and matrices were vitally important as they preserved the original designs for the typefaces as the craftsmen had intended them.
Eventually that employee started the Dale Guild Foundry and began casting new type in the mid 1990's. They began a relationship with NA Graphics in Colorado to sell their type which is where I discovered them. Slowly over time, I bought more and more of the type as I began to print entire pages with it.
The Goudy Franciscan was a Font Frederic W. Goudy redisigned from another earlier design of his Aries font, and sold by Goudy in 1932 to William Grabhorn, an eminent San Francisco printer, who used it for several distinctive and award-winning books.
The beautiful cursive font Civilite is believed to be the first original cursive cut in type in 1552 and designed by Robert Granjon. The "modern" adaptation Pegana Press uses was designed by Morris Benton in 1922 and first produced by the ATF Foundry in 1923.
Dale Guild Foundry, in the meantime, was unfortunately slowly dissolving as a business and eventually in 2013 the Barth Casters and other casting molds were separated and sold throughout different parts of the world. So the foundry cast the last of this type years ago and these fonts are unlikely to ever again be cast with this quality in the original designs. Almost all of the type has been purchased long ago, (there was not much made) and is now unavailable.
So the Goudy Franciscan, Friar, and Civilite types we use are now on their way to extinction and I'll have to retire them when it becomes too worn to use. As I do test prints for each page, I examine them with a magnifying glass and replace any worn letters one at a time to get the best print possible. Tedious and delicate work but essential to achieve our very best effort.
Our books are appreciated for the rarity of the material we've collected and published over the years and their hand printed and bound qualities. They are also living histories of the dreams and designs of long passed artisans who etched into metal these symbols that mean so much to us .
