The way a building is designed spatially, can either distort energy pathways or harmonize with the energy of the location, as architects and mathematicians have known for millennium.
Sacred Geometry employed as a tool within artwork determines how a particular work of art resonates for the viewer.
Early on books were designed using the geometry of the golden rectangle. In modern times the dimensions of a book are influenced by standardization of materials. For example, when cutting the paper for the Lost Tales books, getting the most out of each sheet, determined the dimensions of the pages.
When we were discussing the design for the upcoming Clark Ashton Smith book, The Age Of Malygris, we wanted to experiment with the dimensions of the golden rectangle for the design of the book.
When the book was bound, we were quite pleased with the results.
The page dimensions, the layout of the type, the boards that cover the book, and even the title pastedown on the front are all designed using the golden rectangle.
I will leave you with a quote from The Death Of Malygris:
Beyond the towering thuribles, the tomes that were piled like pyramids, they saw the threshold in intermittent glimpses, like a remote horizon.
--Clark Ashton Smith
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